Thursday, December 5, 2013

Sony A7r the Street Shooter Set-UP

Not  Hawaii "

How to configure your A7r as a Fast Street Shooter
Config will work  if you have  FE  Autofocus lens or  Manual lens with Adapters.
I am sure many might argue my choice of a  36mp  4fps (focus locked), CDAF,   A7r. :)

But, there is a lot of features that could benefit  a  Street Shooter.  and  think I have a A7r Camera set up that works well ...  great with the  new 35mm f2.8 ZA FE lens ,  but the set up works with ANY Manual lens with adapter.
First, my reasons why I think the 36mp A7r  makes a great Street Shooter.

1)  the 36mp.  you can shoot with a loose crop on the  street  and then crop latter in post.
2)  LCD that Flips and Tilts, for above and below compositions. also has grids.

3)  Live View , LCD & EVF   shows you  WB and Exposure ... shows you how you  will shoot it and saves you having to Chimp.   I would say it's a great  Natural Light shooter.

4)  Exposure Compensation  Dial  right on the TOP , RIGHT  edge  easy to adjust  and Fast to adjust  Exposure ... even in Manual you can set  A and S , go with AUTO ISO   and comp. the  Exposure off the one  Exposure Compensation Dial.   * I just feel  Sony needs to have a Minimum  Shutter Speed Setting.  Small things matter.

5)  Focus Peaking  at FULL View and Zoomed View

6)  Zoom View  ...  both in DMF  (where you can Manual Focus After you Auto Focus)  , when you turn MF ASST = ON .   and  you can also ZOOM  even on Manual Focus Lens with Adapters.   and have that feature on  a number of locations (button/wheel) on the body.

* Both  Focus Peaking and Zoom are great  MANUAL FOCUS   helper  Tools.  That you can configure to make  Manual Focus (MF)   Faster and more Accurate.  But, note these are just Aids to help you Manual Focus.

7)  You can configure Back Button  AF  in Manual Focus mode.

8)  Full Frame  in a SMALL  camera body  Size.   Huge Street Shooting benifit.

9)  a small Fast , Fast Focusing , all metal  Zeiss  FE  35mm f2.8 ZA FE lens  ... that is very sharp.   Along with being able to shoot with ANY  lens ever made with an adapter.

10)  The A7r has METAL  wheels.   Some might never notice the difference between the Metal A7r wheels and the A7  plastic wheels.  I might not even be able to tell.  But, I want METAL  wheels.  Mainly the one I will use the most , the Exposure Compensation  Wheel.

11)  WIFI/NFC  to your smartphone (any smartphone) and the ability to Upload Directly to  Facebook and  Flicker  ... you just might want to share something Quickly.

12)  Weather Sealed  ...  on the street  ... it will rain

As I have been  shooting with both the A7r and the A7  with  the 55mm f1.8 ZA FE  and the LAEA4 and the 50mm f1.4 ZA SSM.   also a bit with the 16-35mm f2.8 ZA.

Here is what I found works really well  with both FE lens ... and lens on Adapters , even Manual Focus lens.   What I have found is the A7r makes  Manual  Focusing VERY Easy and FAST. and Accurate.

1) Set up the AF/MF button  to "AF/MF Control Hold"  ... this will be your Back button AF
Benifits of "Back Button AF"  is on this YouTube Link: http://www.youtube.com/watch?v=FzqQskGoURE&feature=youtu.be

2) Set C1 button ... Custom Key Settings > Custom Button 1 = Focus Magnifier     ... this is your Zoom button

2/24/14 Rev.  this is my current  Back Button AF  and Zoom on C1  Settings : 


* Also set MF Asst. to  ON  ... this lets you  Zoom in when you move the  Focus ring on FE lens  in DMF mode.

3) put the camera to MF mode and use AF/MF  button to autofocus. You can move the AF point as well. When the AF locks release the  AF/MF   button and you immediately see peaking.

A t this point you have a tremendous amount of control and flexability

* Benefit at this point is you have Focus Peaking , and the equivalent of DMF, because you have MF.
And you can still move the AF point with a OK center push (if you Center button is config to Standard)
And the Half Press is DEAD , this prevents any Half Press from messing up what you have already done.

* you can SEE the  Focus Peaking   on your  Plane  of Focus ... so when you move the camera back and forth you can see the Focus Peaking  CHANGE.    

* When you use  FE lens  , there is something  COOL that happens when you  turn  "MF ASST" - ON.  When you turn the Focus Ring it zooms in automatically 
*AND  shows you  Focus DISTANCE ! (this is useful) ...   I have "Focus Magnif. Time to - NO LIMIT.    That lets me take my time
AND I go back to Full View with a simple half shutter "tap" of the shutter button. (and it does  NOT  re-AF, *this is important)


(fyi: your focus peaking  is still there when you ZOOM IN, but might not be strong enough ... imho it is a bit of a bug ,  if you saw a Bunch of peaking "at full screen" it should not disappear  "Zoomed in".  (or  require you to have peaking set a High)

Not just for  Street shooters ... just think about   MACRO Shooters on a Slider.

You will find that when you get used to this set up  ... you can  go thru the steps VERY FAST.  and it gives you a lot of flexibility.       


* All that is missing for me is  a  CAF option that would require an additional FW change of a   " AF-ON ONLY" option , which would  Turn OFF the  AF on Half Shutter and allow you to configure CAF and trigger on the back button , for AF and Re-compose, AND give you CAF on demand.  (but I would like to see CAF with PDAF on the primary AF point but CDAF on Helper points around it. A Dynamic AF CAF point. Not sure why a SAF point could not also do that  and have Helper AF points. (menu choice  for how much, small area or larger)
'
Now  for those with Manual Focus Lens or non FE lens ...  How do you ZOOM  Quickly:
4) Double click the c1 this is the ZOOM IN ...

BUT, here you have OPTIONS:
* If you "only" Click c1 "once" you get the Focus BOX that you can move anywhere.
* Click another time ... you Zoom in
* Click another time ... you Zoom in MORE

5) Check the focus, fine tune Focus using the Focus ring if needed, and fire away.
* I normally have Focus Magnif. Time to NO LIMIT.

This is great for Tripod / Product stuff

The Flexible Benefit of this SET UP is ... it will work on basically ANY LENS.   on FE or A-Mount SSM lens mounted on the LAEA4 , or even lens that do not support DMF.

Key Benefit also is it kills the Half press AF that could mess up what you are doing.
SO,  Now you want the A7r  to Shutter FASTER:

*** DO WHAT MANY "STREET SHOOTERS DO"  ... Manual Mode , EXPOSURE AND FOCUS 

*  go with f8 (with a 35mm f2.8 ZA FE  I might choose f4) 
* and a fast shutter setting ... 
* float the ISO ( w/ Exposure Comp. wheel to adjust exposure)  with AUTO ISO 
(this is where a Minimum Shutter speed setting would help , because during the day your shutter speeds could float higher) ... 
*** AND,  set a MANUAL focus at a DISTANCE  that works for you.
* Let  Depth of Field (DOF)  be your Friend and Hyperfocal Distance give you a Distance Range where it will be IN FOCUS , and you can Fire away  " QUICKLY "  
Bacically ZONE Focus , "with" EVF/LIVE VIEW  "Focus PEAKING"  confirmation. The Focus Peaking confirmation is a important AID to the Zone Focus style. 
Having said that, in time you will depend on it less and less.

*** THIS Manual Focus set up also allows you to get Faster FPS (Frames Per Second)  via a "Speed Priority" Set up.

Zone Focus:
http://digital-photography-school.com/ultimate-guide-to-zone-focusing-for-candid-street-photography 

My BLOG on EXPOSURE COMPENSATION PRIORITY
And how to use it in different Exposure Modes

Hyperfocal Distance Focus.  
Depth of Field is your friend, and Manual Focus at a Hyperfocal Distance can help

On-Line DOF (Depth of Field)  Calculator:

Then you use the PEAKING  to show you when your  Focus is Locked.

But after a while you will know ... "just" by Distance.

I also might hold the shutter at a Half Shutter , when I know  a shot is coming up.

Hope this helps,

Ross Hamamura
The Tourist of Light
www.RDHphoto.net
SONY ALPHA Camera Ambassador
Please follow me on Instagram:  @RDHphoto
Facebook Sony ALPHA - TALK  Group: https://www.facebook.com/groups/SonyAlphaTalk/
SONY Community ID:  Hawaii-Geek
http://community.sony.com/t5/Alpha-SLT-DSLR-Cameras/bd-p/alpha-slt-dslr-cameras

Friday, November 29, 2013

Sony Alpha Cameras Facebook Group - Sony ALPHA - TALK


Started a  Facebook Group today.  Sony ALPHA - TALK
https://www.facebook.com/groups/SonyAlphaTalk/

Please join us.

Just to create a place on Facebook for  Sony Alpha Camera shooters to share TIPS,  Links , Reviews,  and basically talk to each other about  all the Sony news that is everywhere on the web.

Things are moving fast and the information almost constant.

Hoping this will be another space for Sony shooters to talk and share  ... on Facebook.


Hope this helps,

Ross Hamamura

The Tourist of Light
www.RDHphoto.net
SONY ALPHA Camera Ambassador
Please follow me on Instagram:  @RDHphoto
Facebook Sony ALPHA - TALK  Group: https://www.facebook.com/groups/SonyAlphaTalk/
SONY Community ID:  Hawaii-Geek
http://community.sony.com/t5/Alpha-SLT-DSLR-Cameras/bd-p/alpha-slt-dslr-cameras

Wednesday, November 20, 2013

Lastolite 30x30 GRID works with the Lightware FourSquare30x30 SoftBox

Lastolite 30x30 GRID works with the Lightware FourSquare30x30 SoftBox

Wanted to blog this because it DOES work. and FITS well.
Lastolite Grid for the 30" Ezybox allows you to add the directional quality of a reflector source to large soft source with manageable contrast. This fabric grid folds flat to a fraction of its open size
B&H  us $94.00  Next Day  $27.31  and it got here basically 2 Days , which is good for Hawaii. :)
http://www.bhphotovideo.com/c/product/759401-REG/Lastolite_LL_LS2980_Grid_for_30_Ezybox.html

Now is the Quality super durable ... really?  us $94   and not directly from China ... it does look a little wimpy.
BUT,  the LightTools Grid that is made for it is  us$ 260.

AND,  this one really Velcros in the  30x30  FourSquare Softbox  like it's made for it  :).
Even with the  FourSquare Diffusion below it.

Latter, I will take a pic of it (the actual) ... when I work with it a few months and see how it lasts.
Can tell you this now.  It FITS , It Works (it's just a grid) , It's Cheap. and it's in stock. (the LightTools was out of stock)


Lightware FourSquare 30x30 SoftBox  for  Four(4)  Flashes ... which I LOVE.
Travels super well!

FourSquare Pro Kit 30" FSK30-P  us $ 350

http://lightwaredirect.com/foursquare/index.html
FourSquare Softbox



Ross Hamamura
The Tourist of Light
www.RDHphoto.net
Please Follow me on Instagram:  @RDHphoto

Monday, November 18, 2013

Easy Release : The Professional's Model Release APP

Easy Release :  The Professional's  Model Release APP

IPhone and Android 
They can SIGN right on your Smartphone 

...  need I say more?  :)

Ross Hamamura
The Tourist of Light
www.RDHphoto.net
Please Follow me on Instagram: @RDHphoto



Easy Release The professional's model release app!
iPhone Rotator
  • Professional-grade model releases, created and signed, right on your iPhone, iPad and now even: ANDROID!
  • User-friendly "wizard" style interface guides you step-by-step.
  • 17 built-in release translations - and 6 full user-interface translations!
  • Approved by the leading stock photo agencies: AlamyGetty ImagesiStockPhoto and many others.
  • PDF format (and optional JPEG) – emailed right to you!
  • Includes a picture of the model or property right on the release.
  • Sign on the touch screen using your finger or a stylus.
  • New version 3.0 now in AppStore!  iCloud Sync, support for the Advanced Customization Pro-Pack, and more!
Find Easy Release App Icon on:  or ANDROID logo




Thursday, October 31, 2013

Smart Mouth Activated Mouthwash 12 hour, something every Portrait Photographer should know

Smart Mouth Activated Mouthwash 12 hour
something every Portrait Photographer should know  ... and use.
You will thank me latter.  and so will your clients. :)

As a Portrait/People Photographer this piece of "kit" is as important as any high resolution sensor and Fast Lens.

You can Brush, use all the gum and candy on the hour , and it will not be as effective as this Mouth Wash is before the shoot.  And it does work for 12 hours.  Really.    It seems to last longer. Even overnight. (useful)
Simply put, IT WORKS !    and for an amazingly long time.

* SmartMouth is the only mouthwash that uses a patented Zinc-Ion Technology
* Will not stain Teeth, dentures or crowns
* safe for ages 6, and older and diabetics
* 100% alcohal Free, No Burning

I buy at CVS ,  but also on Amazon : http://www.amazon.com/SmartMouth-Advanced-Clinical-Activated-Mouthwash/dp/B004VYRUU4/ref=sr_1_2?ie=UTF8&qid=1383231924&sr=8-2&keywords=smart+mouth+mouthwash

Here is three tips taken from an Amazon reviewer that I feel to be true from my experience.

1.) You don't really need a full dose for the product to work. I only use two pumps from each bottle. It's half as much, but it works as good as the amount the box says to use. Using half also makes the product last twice as long.

2.) For best results, make sure that you allow the rinse to cover the back of your tongue without swallowing the product while you are swishing. By coating the back of your tongue, you are making sure the product can work to eliminate odors from all the food and drink you ingest. You only need to let the rinse coat the back of your mouth a few times to do it's job.

3.) This is important! Do NOT use for more than the 30 seconds as stated in the directions. I've read some comments from others about not being able to taste anything after using Smart Mouth. I had experienced this too, early on, until I realized that I was swishing much longer than 30 seconds. It's easy to go over the time because you may not be watching the clock or maybe you go off and do something else while swishing. But you need to pay attention to the time. Once I made sure I spat out the rinse when the 30 seconds was up, I no longer had problems with taste.

* Here is another :  Brush your teeth, FIRST.
* Yes, it has a plain taste to it  ... but, that is really not the reason why you will be using it
* You do not need to use 5 pumps   ...  But,  start with that. So, you can really see how effective it is.


It is an Amazing Product ,  that I believe that once you give it a "good try" ... you will not go back to what you have been using.
Kinda like a SONY high res. EVF, Focus Peaking (and DMF , manual zoom focus)  on a f1.4 Lens. :)


Ross Hamamura
The Tourist of Light
www.RDHphoto.net
Please Follow me on Instagram: @RDHphoto
SONY Alpha Ambassador



Thursday, October 17, 2013

Hakuba "UltraKnit" the BEST LENS Micro Fiber Cloth EVER !

Hakuba "UltraKnit"  KTR-B24 Medium (12in. x 12in.)  the BEST LENS Micro Fiber Cloth EVER !

Seriously, It's the BEST.  Nothing comes close.  I  have the same feeling about LensPEN. :)
Just so you get the idea.

This picture is of  a new box I just bought at  Kaimuki Camera , Oahu Hawaii  $ 15.95
On Amazon $13.50
http://www.amazon.com/Hakuba-KTR-B24-UltraKnit-Camera-Cleaning/dp/B00007E7R8/ref=sr_1_1?ie=UTF8&qid=1382021390&sr=8-1&keywords=Hakuba+UltraKnit

It basically picks up dust , and oily junk easily.   It has a feel to it that is unique.  Kind of "Grip-py".
You will tell the difference the First time you use it.  vs  other smoother Micro Cloths.

Best to blow off  larger particles First.  Then use the UltraKnit to wipe it off.

Yes  it is washable .. I only use plain water.

The one pictured stays in my Belt bag with my RX1.  I do not protect it in any way , as you can see. But , it still works.  Have been using the pictured cloth for aprox  5 years (I think).

The new one is for office use and back up.   the old one I will continue to abuse. :)

fyi: ToraySee  the Japan Manf.   told me  they also  do Promo  ...  and put your LOGO on it.
This is much better than the  junk Micro Fiber cloths I am given as gifts.    Even Costco Eye Glass dept gives one away that is tooo small and also blue , but it is not as good.  Does not have that UltraKnit  Grip-py feel when you wipe glass.

Only thing better imho is a  LensPen.   and that will not wipe up Oil as well for as long and as many times as this. UltraKnit = Washable and Re-useable.

Hope this helps someone,

Ross Hamamura
The Tourist of Light
SONY  Alpha Camera Amassador
www.RDHphoto.net
Please Follow me on Instagram:  @RDHphoto


Monday, September 30, 2013

FAVORITE Smartphone Accessories when on a Travel Shoot



FAVORITE Smartphone  Accessories when on a Travel Shoot
These are my Favorite Smartphone Accessories when I am Traveling for a Shoot.
Note how everything is small and basically Flat.
I can carry this with me all the time in my belt bag.
All of these are on Amazon FREE Shipping (Prime)

Syba USB 2.0 Type A Female to Micro USB 2.0 Male Adapter Cable (CL-CAB20125)  us$5.99 Amazon
http://www.amazon.com/dp/B007X15HKC/ref=pe_385040_30332200_pe_309540_26725410_item_image
This little  $5.99 cable that can fit into your belt bag easily will allow you to Plug IN your regular Multi Card Reader to your Smartphone, and Copy , Move images from your shoots (SD,CF cards) to your Smartphone. Then from there Backup to Cloud, backup on your Smartphone (I have a 32gb Micro SD in my smartphone) or post on FB or Instagram.
Using this cable and my SanDisk USB3 Multi Card Reader on Android when I plugged in my 64gb SanDisk Extreme PRO SD card the Smartphone Automatically Pop-ed up  File Manager and Read the Card.  All I had to do was mark that Folder or Files I wanted to COPY  and  Where.  Very Easy.
A mix of 355mb RAW RX1 files and JPGS   took aprox. 1:10 min/sec  to Upload to my Galaxy S Smartphone.  And 21 sec to Download to my computer to a Spinning 7,200 rpm Hard Drive via a  usb2 port.
Have a feeling any PRO toting a 15” Laptop on a shoot can see the Benefit of this. :)

SanDisk ImageMate Multi Card USB 3.0  Reader   … this is link for  Amazon us$32.00  (but I bought mine from B&H)
http://www.amazon.com/SanDisk-ImageMate-Memory-Reader-SDDR289A20/dp/B005FDJC6K/ref=sr_1_2?ie=UTF8&qid=1380598955&sr=8-2&keywords=SanDisk+ImageMate+All-in-One+USB+3.0+Reader

Next Favorite carry around everywhere Smartphone Accessory is the EC Technology High Capacity 2600 mAh Backup External Battery Pack and Charger Power Bank “with”  Flashlight  , Cherry Color
Cherry so I can find it in my black bag at night.  It comes with a number of “tips”  so you can use it with a number of gadgets , and more importantly Charge your Smartphone.  The power always goes down on your Smartphone when you need it most. :)
The Flash Light is SUPER handy.  Not only to find your way on a dark location or inside your bag at night , but to light something at night so you can AF on it. Or you could use it as a backlight for a Smartphone Food pic with a bit of diffusion. (wish it had a dimmer).
About the size of a very large lipstick case or roll of nickels,  is easy to carry and use. Well worth the us$15.00
http://www.amazon.com/dp/B007WO5LF6/ref=pe_385040_30332200_pe_309540_26725410_item

What I think is the BEST  Smartphone  Tripod mount.  Joby JM1-01WW GripTight Mount Black Amazon us$16.00.
Why because it FOLDS “FLAT” !     That’s it.   It folds small and Flat. (look at the pic)  So, I can have it with me in my belt bag all the time.    It also has  a  hole so you attach it to your Key Ring.

I might clip it to my MeFoto GlobeTrotter Tripod/Monopod  which is also great on Trips.
Like the Aluminum because I don’t like super light Tripods.  And I do not want to have to worry about someone stealing it wherever I go.  Because sometimes I leave it on location.  Do not underestimate the usefulness of having a Monopod built in.  and the Head is deceptively good.   Amazon us$ 209.00
http://www.amazon.com/Mefoto-A2350Q2K-GlobeTrotter-Travel-Tripod/dp/B00BETIVUC/ref=sr_1_3?ie=UTF8&qid=1380600445&sr=8-3&keywords=mefoto+globetrotter

IF you have any other   MUST HAVE   on Travel Shoots  …  let me know  … I will add it on.  Or  will see on the Comments section below.

3/5/14 :  Here is an interesting iPhone 5 and 5s   ACC  that is both a Stand and Protection : http://www.fritzframe.com/en/



Hope this helps,

Ross Hamamura
Tourist of Light
www.RDHphoto.net
SONY ALPHA camera Ambassador

Wednesday, September 11, 2013

Zeiss Vario-Sonnar T* 16-35mm f2.8 ZA SSM

f4, iso1000  16-35mm f2.8 ZA SSM , a99
More pics from this event here. the wides shot with the  a99 +16-35mm  and RX1 : http://www.honolulumagazine.com/Event-Photo-Galleries/October-2013/Run-Rock-Wine/

Zeiss Vario-Sonnar T* 16-35mm f2.8 ZA SSM
9/10/13 First thoughts:  just received from SONY a demo of the 16-35mm f2.8 ZA SSM
and I wanted to create a Blog page of the info I collected and  a place to put my thoughts as I shot with it.

I first noticed it was smaller and lighter than I expected. (being only 2mm off the Nikon 14-24mm f2.8)  And it is GREAT that it uses a 77mm filter!
So, all my 77mm filters work with it.  And I would guess any PRO would have a bunch of these.
You have no idea how that little feature makes me smile.

The 16-35 f2.8 ZA SSM hood feels solid and metal.  though so shallow I am not sure how much help it will be.
It "then" made me notice how Plastic-y  the new 50mm f1.4 ZA SSM  hood feels.  Strange, because the 135mm f1.8 and this 16-35mm f2.8 hoods feel so solid. It help give it a premium product feel. 

I am writing about this because this 16-35 f2.8 ZA SSM  has a Plastic-y  Middle section and a Solid metal Hood.  The 50mm f1.4 ZA SSM has a ALL metal solid feel , but the hood is Plastic-y.
* What I wish is ALL the new Sony Zeiss lens to be ALL Metal lens and the Metal Hood.  Make it consistent on ALL the New  Zeiss SSM's in the future.  So, it is not a question when SONY says new Zeiss PRO lens how the construction will be.  And box it, pouch it ... like a premium product.

Another "consistent thing" which would be nice.  Is Consistent Sharpness results on PRO Zoom Lens. (or primes)
What I am talking about is pretty much the same Sharpness performance regardless of the  Focal Length  between f4 thru f11  = 1 Blur UNIT ... and below 2 blur units at f2.8 and faster.

And IF a Prime PRO lens  closer to 1 blur unit wide open.

Let me try to explain this as best I can.
Look at  Nikons  PRO Holy Trinity 14-24, 24-70, 70-200)  Sharpness graph  on www.SLRgear.com
For me, this is a good example  the Nikon 70-200 f2.8 VRII: http://slrgear.com/reviews/showproduct.php/product/1280/cat/13
Looking at the Full Frame Sharpness graph.  And try viewing it "this way".

* Set the Aperture to f2.8,  and then slide the  Focal Length "back and forth" between  70mm  and 200mm.   Watch how "Flat" the plain of sharpness "floats"  BELOW  2 blur units  at f2.8.

* Now move the Aperture to f4 , and then slide the  Focal Length "back and forth" between  70mm  and 200mm.   Watch how "Flat" the plain of sharpness "floats"  at only 1 blur unit  at f4.

* and How it pretty much stays that way till f16.
But, to be honest  what really counts on a PRO f2.8 lens imho is the f2.8 and f4  performance.

and on a LONG Zoom lens at the LONG End optimized - wide open. 
a WIDE Zoom lens at the Wide End optimized - wide open.



16-35 f2.8 ZA SSM  Specifications
Optical construction: 17 elements in 13 groups inc. 2x ED and 3x aspherical elements
Number of aperture blades: 9 (circular)
min. focus distance: 0.28 m (max. magnification ratio 1:4.2)
Dimensions: 83 x 114 mm
Weight: 900 g
Filter size: 77 mm (non-rotating)
Hood: petal-shaped, snap-on, supplied4
Other features: ultrasonic AF, DMF







Ross Hamamura

The Tourist of Light
www.RDHphoto.net
SONY Alpha Camera Ambassador
Follow me on Instagram:  @RDHphoto